Streaming Pardehe Akhar (1991) Online

Pardehe Akhar (1991)
iMDB Rating: 7.1

Date Released : 20 May 2005

Genre : Crime, Drama, Mystery, Thriller

Stars : Farimah Farjami, Dariush Arjmand, Niku Kheradmand, Shahin Alizadeh. "Gaslight" as Farsi farce. Kamran and Moluk, middle-aged siblings, live penniless in the family's Tehran mansion, selling furniture to pay expenses. Their brother, who owns the house, has died suddenly, and his widow, Forugh, is coming from the provinces to visit. Kamran writes an elaborate script and hires a troupe of five actors to be the household servants. The purpose of the charade, which ..." />

Movie Quality : HDrip

Format : MKV

Size : 870 MB



 

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"Gaslight" as Farsi farce. Kamran and Moluk, middle-aged siblings, live penniless in the family's Tehran mansion, selling furniture to pay expenses. Their brother, who owns the house, has died suddenly, and his widow, Forugh, is coming from the provinces to visit. Kamran writes an elaborate script and hires a troupe of five actors to be the household servants. The purpose of the charade, which will seem real to Forugh, is to drive her mad, perhaps to suicide, so that Kamran and Moluk can inherit the house. The play is elaborate, Forugh is fooled and terrified, and the police can't substantiate her wild claims. She appears insane to them. All is headed for the mysterious last act.

Review :

Massihi's only feature film is the best Iranian film ever

The Last act is one of the most important films made in Iran after the revolution. Karim Massihi uses very interesting method for the narration of the film in which although the it has a very complex story, the film's narration is so simple. Definitely The Last Act is one of the best Iranian films in terms of the acting specifically Nikoo kheredaman and Mahaya Petrosian did wonderful performance. From the very beginning the story is established on lies which disturb the audience. However, at the end instead of the audience the director (Kamran Mirza) decide to fool the producer (Tajolmoluk). This shift at the end shows that the director is more concerned about the prestige of the work and his audience rather than the producer.